4 Months, 3 Weeks and 2 Days | MakingWaves

4 Months, 3 Weeks and 2 Days

Original title: 4 luni, 3 săptămâni și 2 zile

Cristian Mungiu. 2007, Romania, 113 min

Winner of the Palme D’Or at Cannes, and one of the masterpieces of the Romanian New Wave, this drama of two friends arranging an illegal abortion in 1980s Romania is marked by formal rigor, exquisite writing and acting, and period detail that perfectly evokes the bleakness of the era. During the final days of communism, college roommates Otilia (Anamaria Marinca) and Găbița (Laura Vasiliu) are busy preparing for a night away. But rather than planning for a holiday, they are making arrangements for Găbița’s illegal abortion, and unwittingly, both find themselves burrowing deep down a rabbit hole filled with revelations. Taking place over the course of a single day, Mungiu’s film is a masterpiece of modern filmmaking, in parts both poignant and shocking.

Written and Directed by Cristian Mungiu
Cinematography: Oleg Mutu
Cast: Anamaria Marinca, Laura Vasiliu, Vlad Ivanov, Alex Potocean, Luminiţa Gheorghiu, Adi Carauleanu, Ion Sapdaru
Production: Mobra Films Production
Festivals and Awards: Palm d’Or, FIPRESCI Award, The French National Education Administration Prize – Cannes 2007; Best Film of the Year 2007 – FIPRESCI International Film Critics
Romanian with English subtitles
35mm

4:00 pm POSTPONED

Critics’ Corner

Cine-File: A new review of Nae Caranfil`s film (available online)

"DO NOT LEAN OUT THE WINDOW is a boisterous film that looks at the seismic shift in Romanian society with the cautious joy of a caged animal set free. It is a crucial precursor to the revelatory Romanian New Wave that should not be missed."

NY Times: Film Series to Catch in N.Y.C.

"In Romania, the democratic reforms that followed the execution of Nicolae Ceausescu in 1989 also turned the country into a global filmmaking powerhouse, culminating in what has been called the Romanian New Wave."

NYRB: J. Hoberman recommends

"These thirty films also include some of the best made anywhere during the past three decades."

MW public – Andrei Codrescu: “In Praise of New Romanian Film”

The New Wave festival returns to New York every year with astonishing new films, alongside a well-curated archive. I wouldn't miss it for the world.

J.B. Spins: “Luxury Hotel” – For fans of dystopian social satire

"Luxury Hotel could have probably only been produced during the immediate post-Ceausescu aftermath, when the palace was available, in all its faded grandeur. It is definitely spectacle, but serious, distinctively pointed spectacle."

Screenslate: “The Autobiography of N. Ceaușescu”- conceived as a flashback

"And now it is our turn, all these decades later, to be the ones to look and learn."

J.B. Spins: “The Oak” – Deeply compelling cinema

"The Oak is a defiantly bold, chaotically head-spinning indictment of Ceausescu Socialism, but it is also deeply compelling cinema. This is definitely auteurist cinema from Pintilie that still connects on a profoundly human level."

The Criterion Collection: Romanians… in America

"Film Forum will be showcasing thirty Romanian films made during the thirty years since the overthrow and execution of iron-fisted dictator Nicolae Ceaușescu."

„The Romanian New Wave shows no signs of waning, with steady input from such directors as Corneliu Porumboiu, Cristi Puiu, and Cristian Mungiu."

„The former communist country has emerged as a powerhouse of cinema over the last two decades and much has been made about the Romanian New Wave, a genre of naturalistic and unflinching films that have been consistently winning top prizes such as the Palme d’Or in Cannes and awards at the Berlin and Venice festivals.”

The New York Times

„In the last decade, the emergence of a Romanian new wave has been one of the most startling developments in world cinema, with one film after another winning prizes at Cannes and elsewhere.”

The Wall Street Journal

"Making Waves: New Romanian Cinema, the annual weeklong survey that has helped define and establish the southeastern European country as a stronghold of socially incisive, independently minded personal cinema.”

The Wall Street Journal

„Romania cinema has gradually become a central component of international film culture."