Illegitimate | MakingWaves

Illegitimate

Original title:

Adrian Sitaru. 2017, Romania, 90 min

Original title: Ilegitim
Directed by Adrian Sitaru
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In person: actors Alina Grigore & Robi Urs
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Learning about their OB–GYN father’s long-ago actions shatters the lives of four adult siblings: They find out that he informed on women seeking illegal abortions during the Ceaușescu regime. To further complicate family matters, the twins, Sasa and Romeo, have an incestuous relationship that has been going on since they were children. When Sasa becomes pregnant, their older brother desperately tries to keep his family together. There are enough moral issues and ambiguities at work in this fast-paced, fearless, and brilliantly acted drama to ignite hot debate on several fronts. For a film shot almost entirely in a tight flat on a tiny budget and with no script, the result is unexpectedly stunning, stifling, and complex.

Romania/Poland/France, 2016, 89m
Screenplay: Adrian Sitaru, Alina Grigore
Cinematography: Adrian Silişteanu, Alexandru Timoşca
Cast: Alina Grigore, Robi Urs, Adrian Titieni, Bogdan Albulescu
Producer: Anamaria Antoci
Production: Domestic Film
Festivals: Berlin 2016 (Forum) – C.I.C.A.E. Award
Romanian with English subtitles

Critics’ Corner

Cine-File: A new review of Nae Caranfil`s film (available online)

"DO NOT LEAN OUT THE WINDOW is a boisterous film that looks at the seismic shift in Romanian society with the cautious joy of a caged animal set free. It is a crucial precursor to the revelatory Romanian New Wave that should not be missed."

NY Times: Film Series to Catch in N.Y.C.

"In Romania, the democratic reforms that followed the execution of Nicolae Ceausescu in 1989 also turned the country into a global filmmaking powerhouse, culminating in what has been called the Romanian New Wave."

NYRB: J. Hoberman recommends

"These thirty films also include some of the best made anywhere during the past three decades."

MW public – Andrei Codrescu: “In Praise of New Romanian Film”

The New Wave festival returns to New York every year with astonishing new films, alongside a well-curated archive. I wouldn't miss it for the world.

J.B. Spins: “Luxury Hotel” – For fans of dystopian social satire

"Luxury Hotel could have probably only been produced during the immediate post-Ceausescu aftermath, when the palace was available, in all its faded grandeur. It is definitely spectacle, but serious, distinctively pointed spectacle."

Screenslate: “The Autobiography of N. Ceaușescu”- conceived as a flashback

"And now it is our turn, all these decades later, to be the ones to look and learn."

J.B. Spins: “The Oak” – Deeply compelling cinema

"The Oak is a defiantly bold, chaotically head-spinning indictment of Ceausescu Socialism, but it is also deeply compelling cinema. This is definitely auteurist cinema from Pintilie that still connects on a profoundly human level."

The Criterion Collection: Romanians… in America

"Film Forum will be showcasing thirty Romanian films made during the thirty years since the overthrow and execution of iron-fisted dictator Nicolae Ceaușescu."

„The Romanian New Wave shows no signs of waning, with steady input from such directors as Corneliu Porumboiu, Cristi Puiu, and Cristian Mungiu."

„The former communist country has emerged as a powerhouse of cinema over the last two decades and much has been made about the Romanian New Wave, a genre of naturalistic and unflinching films that have been consistently winning top prizes such as the Palme d’Or in Cannes and awards at the Berlin and Venice festivals.”

The New York Times

„In the last decade, the emergence of a Romanian new wave has been one of the most startling developments in world cinema, with one film after another winning prizes at Cannes and elsewhere.”

The Wall Street Journal

"Making Waves: New Romanian Cinema, the annual weeklong survey that has helped define and establish the southeastern European country as a stronghold of socially incisive, independently minded personal cinema.”

The Wall Street Journal

„Romania cinema has gradually become a central component of international film culture."