Sieranevada | MakingWaves

Sieranevada

Original title:

Radu Jude. 2017, Romania, 90 min

Original title: Sieranevada
Directed by Cristi Puiu
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Three days after the terrorist attack on the offices of Parisian weekly Charlie Hebdo and 40 days after the death of his father, a middle-aged doctor and his wife are attending a family gathering in Bucharest to commemorate the deceased. While waiting for the priest’s arrival, the numerous guests and relatives catch up, arguing about everything from 9/11 to the Communist times. The inevitable fights that follow turn the ceremony into an operatic settling of scores. This is black comedy of Altmanesque ambition and gargantuan proportions, with director Cristi Puiu (The Death of Mr. Lăzărescu) brilliantly choreographing more than a dozen characters in a maze of rooms, hallways, and resentments. Sieranevada won top honors at the Chicago Film Festival (Best Film and Best Director) and is representing Romania in the Best Foreign Language Film Oscar race.

Romania/France/Bosnia and Herzegovina/Croatia/Macedonia, 2016, 173m

Screenplay: Cristi Puiu
Cinematography: Barbu Bălăşoiu
Cast: Mimi Brănescu, Dana Dogaru, Sorin Medeleni
Producers: Anca Puiu, Mirsad Purivatra, Sabina Brankovic, Lucian Pintilie
Production: Mandragora, Produkija 2006 Sarajevo, Sisters and Brother Mitevski, Alcatraz Films
Festivals: Cannes 2016 competition
Romanian with English subtitles

Critics’ Corner

Cine-File: A new review of Nae Caranfil`s film (available online)

"DO NOT LEAN OUT THE WINDOW is a boisterous film that looks at the seismic shift in Romanian society with the cautious joy of a caged animal set free. It is a crucial precursor to the revelatory Romanian New Wave that should not be missed."

NY Times: Film Series to Catch in N.Y.C.

"In Romania, the democratic reforms that followed the execution of Nicolae Ceausescu in 1989 also turned the country into a global filmmaking powerhouse, culminating in what has been called the Romanian New Wave."

NYRB: J. Hoberman recommends

"These thirty films also include some of the best made anywhere during the past three decades."

MW public – Andrei Codrescu: “In Praise of New Romanian Film”

The New Wave festival returns to New York every year with astonishing new films, alongside a well-curated archive. I wouldn't miss it for the world.

J.B. Spins: “Luxury Hotel” – For fans of dystopian social satire

"Luxury Hotel could have probably only been produced during the immediate post-Ceausescu aftermath, when the palace was available, in all its faded grandeur. It is definitely spectacle, but serious, distinctively pointed spectacle."

Screenslate: “The Autobiography of N. Ceaușescu”- conceived as a flashback

"And now it is our turn, all these decades later, to be the ones to look and learn."

J.B. Spins: “The Oak” – Deeply compelling cinema

"The Oak is a defiantly bold, chaotically head-spinning indictment of Ceausescu Socialism, but it is also deeply compelling cinema. This is definitely auteurist cinema from Pintilie that still connects on a profoundly human level."

The Criterion Collection: Romanians… in America

"Film Forum will be showcasing thirty Romanian films made during the thirty years since the overthrow and execution of iron-fisted dictator Nicolae Ceaușescu."

„The Romanian New Wave shows no signs of waning, with steady input from such directors as Corneliu Porumboiu, Cristi Puiu, and Cristian Mungiu."

„The former communist country has emerged as a powerhouse of cinema over the last two decades and much has been made about the Romanian New Wave, a genre of naturalistic and unflinching films that have been consistently winning top prizes such as the Palme d’Or in Cannes and awards at the Berlin and Venice festivals.”

The New York Times

„In the last decade, the emergence of a Romanian new wave has been one of the most startling developments in world cinema, with one film after another winning prizes at Cannes and elsewhere.”

The Wall Street Journal

"Making Waves: New Romanian Cinema, the annual weeklong survey that has helped define and establish the southeastern European country as a stronghold of socially incisive, independently minded personal cinema.”

The Wall Street Journal

„Romania cinema has gradually become a central component of international film culture."