The Oak | MakingWaves

The Oak

Original title: Balanța

Lucian Pintilie. 1992, Romania/France, 105 min

RELEASE OF NEW 4K RESTORATION

Actress Maia Morgenstern in person for
7:45 pm screenings on April 28 & 29

The Oak is an absorbing, complicated black comedy about Romania at the end of the Ceauşescu regime. A young schoolteacher named Nela embarks on a spiritual journey following the death of her father, a former government official, whose ashes she carries with her in a coffee jar. During her wanderings through grotesque and often violent surroundings, she meets Mitică. The couple, like Tristan and Isolde at the gates of the Orient, cannot pursue their love without disruption. A series of events – floods, pollution, Mitică’s arrest, military maneuvers and massacres – split up our heroes, and reveal a backdrop in which nothing works properly and everything seems to be falling apart.

“This film… is Mr. Pintilie’s reaction to the 1989 collapse of the Communist regime in his country and his expectations for the future. It begins as a nightmare and ends with a vague expectation of the break of day… Mr. Pintilie seems to suggest that there is still hope for Romania, though it’s not just around the corner.” – Vincent Canby, The New York Times

Part of the 17th Making Waves: New Romanian Cinema

Written and Directed by: Lucian Pintilie
Cinematography: Doru Mitran
Cast: Maia Morgenstern, Răzvan Vasilescu, Victor Rebengiuc, Dorel Vişan
Production: MK2 Productions, Parnasse Production, Les Films du Scarabée, Studio of Cinematographic Creation of the Romanian Ministry of Culture
Festivals & Awards: Cannes 1992 (Official Selection, out of competition); 1992 New York FF; Best Actress (Maia Morgenstern) – 1992 Geneva & 1993 European Academy Awards/Felix Award for Best Actress of the Year
Romanian with English subtitles
DCP

Daily (except April 30):
1:00 | 3:15 | 5:30 | 7:45
Sunday, April 30:
1:00 | 4:45 | 6:30 | 8:45
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Critics’ Corner

Cine-File: A new review of Nae Caranfil`s film (available online)

"DO NOT LEAN OUT THE WINDOW is a boisterous film that looks at the seismic shift in Romanian society with the cautious joy of a caged animal set free. It is a crucial precursor to the revelatory Romanian New Wave that should not be missed."

NY Times: Film Series to Catch in N.Y.C.

"In Romania, the democratic reforms that followed the execution of Nicolae Ceausescu in 1989 also turned the country into a global filmmaking powerhouse, culminating in what has been called the Romanian New Wave."

NYRB: J. Hoberman recommends

"These thirty films also include some of the best made anywhere during the past three decades."

MW public – Andrei Codrescu: “In Praise of New Romanian Film”

The New Wave festival returns to New York every year with astonishing new films, alongside a well-curated archive. I wouldn't miss it for the world.

J.B. Spins: “Luxury Hotel” – For fans of dystopian social satire

"Luxury Hotel could have probably only been produced during the immediate post-Ceausescu aftermath, when the palace was available, in all its faded grandeur. It is definitely spectacle, but serious, distinctively pointed spectacle."

Screenslate: “The Autobiography of N. Ceaușescu”- conceived as a flashback

"And now it is our turn, all these decades later, to be the ones to look and learn."

J.B. Spins: “The Oak” – Deeply compelling cinema

"The Oak is a defiantly bold, chaotically head-spinning indictment of Ceausescu Socialism, but it is also deeply compelling cinema. This is definitely auteurist cinema from Pintilie that still connects on a profoundly human level."

The Criterion Collection: Romanians… in America

"Film Forum will be showcasing thirty Romanian films made during the thirty years since the overthrow and execution of iron-fisted dictator Nicolae Ceaușescu."

„The Romanian New Wave shows no signs of waning, with steady input from such directors as Corneliu Porumboiu, Cristi Puiu, and Cristian Mungiu."

„The former communist country has emerged as a powerhouse of cinema over the last two decades and much has been made about the Romanian New Wave, a genre of naturalistic and unflinching films that have been consistently winning top prizes such as the Palme d’Or in Cannes and awards at the Berlin and Venice festivals.”

The New York Times

„In the last decade, the emergence of a Romanian new wave has been one of the most startling developments in world cinema, with one film after another winning prizes at Cannes and elsewhere.”

The Wall Street Journal

"Making Waves: New Romanian Cinema, the annual weeklong survey that has helped define and establish the southeastern European country as a stronghold of socially incisive, independently minded personal cinema.”

The Wall Street Journal

„Romania cinema has gradually become a central component of international film culture."